“It’s designed to disturb. It should get under the skin and worry us.”
Mark Padmore explores Bach’s St Matthew Passion, and the advantages of performing it without a conductor.Read More
Leader Matthew Truscott tells us what it’s like to perform Bach’s St Matthew Passion without a conductor, but instead following the breathing of singer and director, Mark Padmore.Read More
Mark Padmore explains his view of the St Matthew Passion, and the role of the Evangelist…Read More
Here’s the programme for our The Corridors of Power concert on Tuesday 27 February at Royal Festival Hall, Southbank Centre. You can pick up a physical copy free of charge on the night itself.Read More
After ten concerts in three different countries, our Beethoven tour with Nicola Benedetti came to an end in Abu Dhabi yesterday. If you’re at risk of Beethoven withdrawal, we asked our Co-Principal Viola Max Mandel for more Beethoven that you might want to read, watch or listen to next.Read More
One of the more unusual concerts in our 2017/18 Visions, Illusions and Delusions season is The Corridors of Power, a mixture of Haydn and Mozart conducted by our old friend Ádám Fischer.Read More
“Challenging in different ways but so enjoyable.”
Nicola Benedetti chats about performing Beethoven on period instruments as she joins us on tour around the UK and US.Read More
If you’re coming to our concert with Marin Alsop and Nicola Benedetti at Royal Festival Hall, Southbank Centre, on Sunday, get there early for the pre-concert talk at 6pm.
We’re delighted both Marin and Nicola have agreed to join us for the discussion alongside our Principal Flute, Lisa Beznosiuk.
The talk is free in the Clore Ballroom from 6pm to 6.30pm.Read More
Here’s the programme for our Marin Alsop and Nicola Benedetti concert on Sunday 4 February at Royal Festival Hall, Southbank Centre (but it’s also good if you’re going to one of the other performances). You can pick up a physical copy free of charge on the night itself.
If you can’t see it, just click here.Read More
In the classical era, composers such as Mozart and Beethoven often included passages called cadenzas towards the end of their concertos. These were either improvised or pre-composed, and gave the soloist the chance to show off the full range of her or his skills.
For Nicola Benedetti’s performances of Beethoven’s Violin Concerto with us, she’s worked with composer Petr Limonov to write a new cadenza premiered on this tour, for which she’ll be accompanied by our Principal Timpani, Adrian Bending.Read More
Today we’re announcing the concerts in our 2018/19 season as Resident Orchestra at Southbank Centre.
It’s called Life, Liberty and the Pursuit of Happiness, and it’s the second in our Six Chapters of Enlightenment, six years of concerts celebrating the thought that made the modern world.Read More
Classical music hasn’t always been about sitting silently in a concert hall, glugging down a pre-poured glass of wine in the interval and polite applause.
With The Night Shift, we take classical music back to its lively, informal roots with gigs in pubs, night clubs and other venues where you like to spend your time. Enjoy two half hour sets of classical music, played by some of the finest players in the business, without the usual rules.Read More
Professor Tara Shears came to talk to us about antimatter as part of our Bach, the Universe and Everything series at Kings Place. We learnt there is more connecting Bach and particle physics than you might imagine.Read More
It’s been a while, but the time has come for you to put your musical thinking caps on for a our traditional ‘name a concert’ feature.
We need a name for the following concert coming up in 2018. Think Handel, Telemann, organs and, possibly, feasts.Read More
West London Synagogue is one of London’s unexpected gems – an architectural beauty with a brilliant acoustic for music.Read More
Here’s the programme for our Mozart: Master of Deception concert with Rachel Podger on Monday 27 November at St John’s Smith Square. You can also pick up a physical copy free of charge on the night itself.
As well as the programme notes, in this issue:
Rabbi Julia Neuberger, Senior Rabbi at West London Synagogue asks ‘Is seeing believing?’ We take a look at the eventful London life of Johann Christian Bach.
If you can’t see it, just click here.Read More
What exactly is a Cantata?
Bach wrote over 200 of these mini-operas in his role as Cantor at various churches. Their sheer volume and unfamiliarity might seem overwhelming, but don’t let that put you off. Our co-principal keyboard Steven Devine explains all as he accompanies soprano Rowan Pierce in Bach’s Cantata Weichet nur, betrübte Schatten (Yield now, troubling shadows) BWV202.
Violinist Kinga Ujszászi gives us a peak behind the scenes on our current tour of Australia.Read More
We’re returning to Peckham’s CLF Art Café on the 24th October, but it won’t be your typical Night Shift. We caught up with clarinettist Katherine Spencer (also known as ‘Waffy’) to explain a bit about what’s in store.
Could you talk a bit about the theme behind this Night Shift?
We’re exploring folk music and the folk that it was written for, through an OAE lens, so we’re going to be playing the music on a variety of early instruments. It’s an experiment in musical diversity and not being in a box.Read More
“I think there’s a fine line between healthy love and manic obsession, so perhaps she’s crossing into it..” Soprano Louise Alder chats about her role as Semele in Handel’s provocative opera.
Handel’s Semele, Wed 18 October 2017
Southbank Centre’s Royal Festival Hall