“It’s been really inspirational for the start of this project.”
Leader Margaret Faultless gets her hands on the original concert programme for the premiere of Ralph Vaughan Williams’ Fantasia on a Theme by Thomas Tallis at Gloucester Cathedral on September 6, 1910.
Hear us play it before Brahms’ Requiem with Marin Alsop:
Saturday 10 November, 2018, The Anvil, Basingstoke
Sunday 11 November, 2018, Southbank Centre, LondonRead More
The term ‘chamber’ is often used to describe bands of various sizes, from string quartets to medium-sized orchestra. But what does ‘chamber music’ really mean? And where did it come from?
Our Chief Executive Crispin Woodhead explains.
“It’s designed to disturb. It should get under the skin and worry us.”
Mark Padmore explores Bach’s St Matthew Passion, and the advantages of performing it without a conductor.Read More
“Challenging in different ways but so enjoyable.”
Nicola Benedetti chats about performing Beethoven on period instruments as she joins us on tour around the UK and US.Read More
What exactly is a Cantata?
Bach wrote over 200 of these mini-operas in his role as Cantor at various churches. Their sheer volume and unfamiliarity might seem overwhelming, but don’t let that put you off. Our co-principal keyboard Steven Devine explains all as he accompanies soprano Rowan Pierce in Bach’s Cantata Weichet nur, betrübte Schatten (Yield now, troubling shadows) BWV202.
“It’s evocative of Bram Stoker’s Dracula and Mary Shelley’s Frankenstein, that sense of foreboding and drama..”
We caught up with mezzo-soprano Sarah Connolly in between rehearsals for Berlioz’s dramatic song cycle ‘Les nuits d’été’.Read More
In part 2, violinist Kati Debretzeni explores how Vivaldi uses the violin as a virtuoso instrument.
Hear her perform the Four Seasons at our Turning Points concert at Kings Place on 11 Feb.Read More
Ahead of our Turning Points: Vivaldi’s Four Seasons concert at Kings Place on Sat 11 February, Kati Debretzeni takes an in depth look at Vivaldi’s innovative writing for the violin.Read More
Catch him doing the harpsichord thing (no football planned as yet) with the OAE on Sunday at St John’s Smith Square. More info and book ticketsRead More
The Choir of the Age of Enlightenment performs its first solo a capella concert.Read More
‘When we play it, it invokes the horns of the forest. Which is where we all come from, ancestrally, as horn players.’
As the OAE horn section rehearse, Martin Lawrence talks about the forest, Weber, horns and that ‘sort of ghostly sound’.Read More
A Ouija board, the Nazi party and Hungarian violinist Jelly D’Aranyi: Jessica Duchen, Laura Tunbridge and John MacAuslan discuss the rediscovery of Schumann’s violin concerto in the 1930s.Read More
In the second film from our Watercycle residency in Brighton we look at our work with local primary schools, where our fundraising efforts for Wateraid have been incorporated into the music making.Read More
A little glimpse behind the scenes as we shot the pictures for our recently released 2015-2016 concerts brochure.Read More
New Music for Old Instruments: Composer Stevie Wishart talks about her new commission for the Orchestra of the Age of Enlightenment entitled “The Rough with the Smooth: Concerto à Double Entendre”.
The piece was performed on 12 May 2015 at the Queen Elizabeth Hall, London.Read More
‘He finds out that Pauline is now shacked up with a new guy, and he’s not happy about that’
Baritone David Kempster sings the part of Sévère in Les Martyrs at the Royal Festival Hall on 4 November. He chatted to us about the character of Sévère, and some of the joys and difficulties of performing Donizetti.
Find out more about Les Martyrs.Read More
Last autumn we went on tour with our Emeritus Conductor Sir Roger Norrington, with some pretty unusual repertoire for us – Berlioz’s Symphonie Fantastique. Indeed, this was only the second time we have ever programmed this piece. Here’s a clip of the Orchestra and Sir Roger Norrington rehearsing the piece at the Palais des Beaux-Arts (BOZAR) in Brussels ahead of performances there, and in Warsaw and Helsinki.Read More
Footage from recording sessions earlier this year when we recorded Rameau’s 1754 opera Anacréon. The studio recording will be released later this year. You can also hear Anacréon LIVE on 9 October at the Queen Elizabeth Hall, alongside another 1 act opera, Pigmalion.Read More
We thought you probably did.
And how do you feel about being inspired by music, and our largest-ever education project?Read More
We had a rummage through our archives and found this gem from back in 2008 which we thought was worth sharing with you all. Then intern Nick Cooke traveled out to deepest Chesham to meet up with OAE Librarian Colin Kitching. The video includes rare footage of the OAE’s legendary music shed…Read More