Here are Matt Truscott (violin) and Cecelia Bruggemeyer (double bass) at our intimate Meet The Band event… twitter.com/i/web/status/1…
Next week we have a week of performances coming up at our Kings Place Headquarters, our first public performances there since our concerts as part of the opening festival last Autumn. A definite highlight will be Henry Purcell’s Bonduca (or Boadicea). One of the last things he wrote, the music was written for the play of the same name, and as you might expect it concerns Queen Boadicea. Indeed, the plays subtitle is The British Heroine. We’ll be performing Henry Purcell’s music alongside excerpts from the play, in a performance which has been put together by OAE violnist Roy Mowatt. Alongside the Orchestra and Choir of the Enlightenment there will be a cast of actors and the whole performance will be directed by Pia Furtardo, who recently worked with director Katie Mitchell on ENO’s After Dido. It should be a pretty special evening!
We asked Roy a few questions about the piece:
Could you explain what makes Purcell’s last major work, Bonduca, so special and distinct?
I love all of Purcell’s theatre music. If Bonduca is different it is because it seems to be without any Italianate tendencies. It is perhaps particularly “English” and presumably deliberately so to enhance the patriotic feel. [Bonduca is Boadicea or Boudica, the British heroine who fought against the Romans]. The big difference in this case, though, is that I have set it within a dramatic context, whereas we normally just hear suites of Purcell’s theatre music without any feeling for the reasons for their composition. I have used extracts from the play to create a dramatic context.
What do you are you most looking forward to when playing Bonduca and what does the piece mean to you?
There is something special about a composer’s final works and although I wouldn’t claim Bonduca is better than his other works it is certainly top-notch. It is also much more substantial than many of his theatrical incidental compositions which are sometimes just a song or two, or a few instrumental numbers.
Why do you think playing Bonduca with the OAE is special, what will the OAE add to this piece?
The OAE is always lively and looking for new ways to present and communicate the music they play. I am looking forward to seeing their reaction to what I have done – one is always most nervous of the judgement of one’s colleagues! I am also very excited to see what the director Pia Furtado makes of the dramatic elements. She seems to have limitless ideas and I think it will be fascinating to see what she comes up with within the strict limits we have as far as space and resources are concerned.
Why do you think that this performance is an event not to be missed?
I’m sure by now it is clear that I am really looking forward to this venture and I think it is the first time Bonduca has been done in this way. Actually, Boadicea comes out of it rather badly – she is blamed for the British defeat! There is the common myth that Boadicea is buried between platform 9&10 at Kings Cross – yes, precisely where the Hogwarts Express departs from! Although there is no historical justification for her being buried there it nevertheless feels right that we should be performing Bonduca at Kings Place.
We are performing Bonduca at Kings Place on 15 May at 6.30pm and 9pm (performances last an hour). Tickets start at £6.50
There is also a talk about the piece at 7.45pm and a free performance of Purcell songs in the foyer at 10.15pm
You can book tickets here