We're performing Vivaldi's Four Seasons this week @AnvilArts and @stgeorgesbris next week. Our violin player Kati e… twitter.com/i/web/status/1…
Pianist and scholar Robert Levin appeared with us last night in two concerts (a 7pm and a Night Shift) and today has been on a bit of a media blitz, appearing on Radio 4’s Today programme and the World Service too. There’s also something in the Evening Standard.
The reason? Well Robert has been talking about two things. Last night he performed Mozart’s Piano Concerto No.23 with us, and Robert’s research strongly points to it being written for a pupil of his, Barbara Ployer, something previously unknown. One of the reasons he suspects this is that he found a coda written for the piece, which was intended for Barbara, and this coda hasn’t been performed for at least 200 years. But alongside this, Robert has been talking about how we perform Mozart these days. Modern performance very much sticks to what is written on the page, with no deviation. But Robert argues that in Mozart’s day there would have been a lot of free rein given to the soloist, to embellish the basic musical line, improvise around it etc. In fact, Robert, argues that his hero, Duke Ellington, is really like a modern-day Mozart.
Robert is performing the Concerto with us again on 4 October, as part of our very first The Works event. In the event he’ll be joined by presenter Suzy Klein, and the first half of the concert will be given over to a ‘guided tour’ of the concerto. More on the event in this previous blog post.
Here’s Robert talking about the concerto, plus links to today’s coverage.