With its vivid poetry and technical ingenuity, Vivaldi’s The Four Seasons remains as fresh today as the day it was written – forever influential, transfixing and just plain catchy.Read More
If you attend our concert with Sarah Connolly next Monday at the Royal Festival Hall, you’ll notice there’s a big Orchestra, but no conductor.
Instead, our Leader Kati Debretzeni directs the Orchestra from the violin.
How does that work? And why are we attempting this musical high wire act? Kati explains.Read More
The final film by OAE leader Kati Debretzeni taking an in depth look at Vivaldi’s Four Seasons, ahead of our Turning Points: Vivaldi concert at Kings Place.
This time Kati explores how different violinists and ensembles interpret Vivaldi’s notation differently to make The Four Seasons their own.
More info and to book
7.30pm, Sat 11 Feb, 2017, Kings Place
Vivald’s The Four Seasons
Kati Debretzeni looks at how Vivaldi uses music to paint a picture – Part 3 of her exploration of The Four Seasons.
More info and to book
7.30pm, Sat 11 Feb, 2017, Kings Place
Vivald’s The Four Seasons
In part 2, violinist Kati Debretzeni explores how Vivaldi uses the violin as a virtuoso instrument.
Hear her perform the Four Seasons at our Turning Points concert at Kings Place on 11 Feb.Read More
Ahead of our Turning Points: Vivaldi’s Four Seasons concert at Kings Place on Sat 11 February, Kati Debretzeni takes an in depth look at Vivaldi’s innovative writing for the violin.Read More
This Sunday we’re in York for the Early Music Festival at the National Centre for Early Music. Directing the programme is OAE Leader Kati Debretzeni – and of this podcast she talks about the programme that the Orchestra has put together for the festivalRead More
Our Marketing and Press Officer, Matthew Grindon, responsible for a lot of the content on this website and on social media, left the OAE team last week for pastures new. We put our Exit Interview questions to him…Read More
With the first month of 2014 nearly behind us, we look back at some of our concert highlights from 2013…Read More
We’re still humming The Four Seasons, following our concerts last week with OAE leader Kati Debretzeni and some glorious choreography from Henri Oguike’s dancers.
Here’s some reviews from the night, as well as what you thought…Read More
With our twist on Vivaldi’s legendary The Four Seasons coming up in less than a week, we went along to the rehearsals to chat to choreographer Henri Oguike, OAE violinist Kati Debretzeni and dancer Rhiannon Morgan, who told us more about how the collaboration came together.
Full information and booking for the Southbank Centre event can be found here.Read More
On 8 February at the Southbank Centre, we’ll be giving Vivaldi’s legendary The Four Seasons a fresh twist, in a major new collaboration with renowned choreographer Henri Oguike and OAE leader Kati Debretzeni, fusing authentic performance with contemporary choreography.
Sounds intriguing? Well here’s a taster of what you can expect to see…Read More
As 2013 begins to take hold, most people come up with a New Year’s resolution or two, but in reality only 1 in 10 of us will keep at it for the whole year…depressing isn’t it?!Read More
Here at the OAE offices, the excitement is building and the tension is mounting.
Letters have gone out, social media and enewsletters are at the ready – and we are counting down the days: just over a week to go…Read More
One from the vaults, in fact way back in October 2011! This is a recording of our OAE Extras talk from 21 October at the Queen Elizabeth Hall, prior to a concert which Kati was leading. In this event she talked to Nicola Christie about, amongst other things, babychinos, bows and ‘Papa’ Haydn. Apologies for the few quiet episodes in this podcast – Kati abandoned her microphone a few times to play her violin and we also hadn’t miked the audience for questions!Read More
One of my personal highlights of the forthcoming 2012-2013 season of concerts is our collaboration with choreographer Henri Oguike. He’ll be working with OAE leader (and soloist for this concert) Kati Debretzeni, on a very special presentation of Vivaldi’s Four Seasons in which we’ll be adding new, contemporary choreography to Vivaldi’s masterpiece.
The idea was Kati’s, who had wanted to add a dance element to Vivaldi’s piece, but crucially wanted herself and the Orchestra to be a bit more than a backing band for the dancers – the idea is to have at least some of the musicians take a more active role in the dance.
Anyway, the actual performances are quite a while away, on 8 February of next year, but Henri has already been busy, and a few weeks ago I was excited to be asked to a special showing of some of the early dance ‘sketches’.
We saw elements of each season, and I can honestly say it was thrilling; both a real privilege to see something in such an early stage of development, and also to see such incredible dancers really up close, in the confines of a studio. I think we’ll be in for a real treat come next February, and it’ll be great to see a piece of music which is sometimes as regarded as perhaps a little ‘naff’ (of course, it shouldn’t be) re-imagined in this way.
My colleague Megan also came along to the showing, and as a budding amateur photographer, she took some great pictures of the event, so you can get at least some flavour of what went on.
Performances are on 8 Feb 2013 at 6.30pm and 8.30pm in the Queen Elizabeth Hall and tickets are already on sale.
We will of course be posting further updates as the project develops – so watch this space!
This Wednesday, 25 April, saw us at the Queen Elizabeth Hall performing an all-Bach concert, with soloist Ian Bostridge and director Steven Devine. What anyone who was at the concert will have realised though was that Ian was not the only soloist, with the Brandenburg Concerto No.4 and also the Cantata Ich habe genug also having substatial solo parts (aside from the voice, in the case of the Cantata).Read More
As you may have read in a previous post, this Monday we launched our 2012-2013 Southbank Centre season to the press at the Royal Festival Hall. So it’s now time to give you some highlights and tell you what’s in store. Public booking for the season opens on 14 Feb, but you can book NOW if you join the Friends of the OAE. Alternatively members of our Priority Mailing List can book from next Wednesday. All the concerts will be added to our website shortly.
Queens Heroines and Ladykillers: A 5-event series celebrating strong female characters in opera. Including:
30 September 2012 Sir Roger Norrington is joined by Anna Caterina Antonacci to sing works by Cherubini, Gluck and Berlioz.
8 November 2012 Sarah Connolly sings Purcell, Rameau and Charpentier.
3 June 2013 A Tribute to Lorraine Hunt Lieberson – William Christie directs an all-Handel concert.
By Jupiter, that’s the last of Mozart!
29 January 2013 – Sir Simon Rattle conducts Mozart’s last 3 symphonies.
8 February 2013 A brand new collaboration with choreographer Henri Oguike with a world premiere of a dance dance work set to Vivaldi’s seminal Four Seasons, with OAE leader Kati Debretzeni as soloist.
25 February 2013 Legendary pianist András Schiff makes his OAE debut with Mozart’s Piano Concertos Nos 9 & 24
The Works, our new concert series giving you a guided tour of selected pieces continues.
OAE Tots returns with 6 events throughout the year for the youngest of music lovers.
And of course our late-night Night Shift series also continues.
On Friday this week, we’ll be celebrating three musical superstars in our Papa Haydn and his Wife concert at the Queen Elizabeth Hall. We caught up with one of the OAE leaders, Kati Debretzeni, who’ll be performing on the night:Read More
As has become customary at this time of year we asked around the office and orchestra for people’s top OAE moments of 2010. There are definitely a few trends in the below… and we’d love to know what your top OAE moments of the year were too.
It’s difficult for me to decide whether Beethoven with Iván Fischer or Bach with John Butt wins my best moment of 2010? I’vedecided it’s John Butt because I have not worked with him as a director before. John is a leading Bach scholar and there were constant pearls of wisdom and humour (always a good thing in rehearsals). He is such an open and physically uninhibited musician. One of my favourite moments was when he asked us to be like evil black poodles—- all I could think of was Cruella de Vil! Not very 18th century but it worked.
Martin Kelly, Viola and Vice-Chairman
It was definitely Don Giovanni at Glyndebourne which I had the pleasure of watching twice; firstly on our annual office trip and the next time with my mum when we were caught in the worst downpour of the summer. The poor dressed up Glyndebourne-dwellers were darting, bubbly in arms, into any available shelter possible during the interval and it was a sorry, soggy lot of us who trudged back into the performance. It was my mum’s first visit to Glyndebourne though and she didn’t care at all. Don Giovanni was amazing all the way through but I especially loved the very end. Those dramatic scales over the descending bass line plus the Commendatore bellowing ‘Don Giovanni!’ certainly made for a spine tingling death scene!
Natalie Chivers, Education Projects Manager
I loved the Creation education project.
The chaos of moving 800 children that preceeded and followed the event was quite something; the silence and concentration of all those pupils watching and engaged during the performance in a packed Queen Elizabeth Hall was striking. I had great fun and learnt a lot about DNA!
The Night shift at the Roundhouse in January was amazing too.
Isabelle Tawil, Development Manager, Individual Giving
Without a doubt, the Iván Fischer Beethoven concerts in March – particularly at the Lincoln Center in New York where we gave two concerts as part of a complete cycle of the Symphonies with Iván’s “other” Orchestra, the Budapest Festival Orchestra, which gave two concerts as well. The audience reaction and Iván’s inspiring and totally unique conducting style produced electrifying musical moments of the year.
Stephen Carpenter, Chief ExecutiveRead More