Before our concert this week, we spoke to Margaret Faultless, one of our three leaders, about Sibelius’ ‘Finnish-ness’ in his writing. Here’s what she had to say:Read More
A month or so ago we took our late night series, The Night Shift, out clubbing, with a visit to the Vauxhall institution that is Duckie…Read More
With the new season fast approaching, we spoke with the OAE staff and players about what they’re most looking forard to…Read More
This morning Radio 4’s Today programme ran a feature on The Night Shift and informal concerts – interviewing conductor Vladimir Jurowski and OAE Leaders Maggie Faultless and Matthew Truscott. You can listen to it here. Is it just us or is the question about pay completely random and unconnected?!Read More
This is the question posed by Notion magazine in their latest issue, going on to say:
” Nothing is uncool anymore, I know becaus Brian Eno said so recently…Cool itself is rather passé. There is, however, one exception, the impregnable bastion of uncool: Classical music.
It’s fair to say that Notion isn’t usually the kind of magazine that the OAE appears in, which in a way is why we’re especially excited to be featured. The article (which features yours truly, and more importantly OAE Leaders Maggie Faultless and Matthew Truscott) asks why classical music hasn’t become ‘cool’ like Contemporary Art or Theatre, and takes a look at our Night Shift series of concerts. You can read the article online here – just go to page 56 of the magazine.
The Night Shift makes its debut appearance at the Roundhouse in Camden on 29 January – details here and tickets here.
William Norris, Marketing DirectorRead More
We got the New Year off here at the OAE to a flying start with, the OAE Academy, a three day course for our new Ann and Peter Law OAE Experience participants. We had a snowy few days with some players being delayed on their way in from Spain and others being snowed in in Somerset! Those who did manage to make it through the snow were treated to three days of rehearsals, singing workshops, a yoga session, Education sessions and some very tasty home cooked meals from the Amadeus centre.
The photos are of the orchestra rehearsing with OAE leader Maggie Faultless, an Education composition session and some group shoulder massages before the rehearsal with OAE Principal Oboe Tony Robson!
Megan Russell, Projects OfficerRead More
You may have seen the phrase ‘period instrument orchestra’ floating around in relation to the OAE. Well this means that we use instruments like those from the time that the music was written in so our performances are what the composers themselves would have actually heard. But not only are the instruments the great great grandparents of what you will hear a modern symphony orchestra playing on, the pitch has also changed over the years. Modern orchestras using modern instruments play at a pitch where the note ‘A’ is equivalent to 440 hertz. In Baroque music (Bach and Handel’s time) we generally play at A=415 and for classical music (Mozart, Haydn) at A=430. To give you an idea of the difference, A=415 is about a semi-tone lower than A=440. To the untrained ear, what does this all mean? That if you played the same note on a modern instrument and an ‘old fashioned’ one, that the latter would sound a bit lower.Read More