At the end of September, OAE players visited St Laurence School in Bradford on Avon for our annual opera project with eight classes of Year 7’s who had just joined the school.Read More
Welcome to the first of a new section based around what’s been catching our collective eye…Read More
As ever, this summer we’ve been down in Glyndebourne, this year performing in the pit for two operas, The Fairy Queen and Le Nozze di Figaro. We’re delighted to say that Glyndebourne have made available this completely free stream of Le Nozze di Figaro, conducted by Robin Ticciati, which you can enjoy here until 2 September. Happy viewing!
Don’t forget that you can purchase DVDs of the Glyndebourne productions of The Fairy Queen and Rinaldo in our online shop.
Act 2Read More
We’re almost halfway through our run of The Marriage of Figaro at Glyndebourne and there’s been some great response to it so far.Read More
You may remember that a while back we asked you for your suggestions for a concert title, for an event in our yet-to-be-announced 2012-2013 London Southbank Centre season. The concert was an all Mozart one featuring his last three symphonies, Numbers 39, 40 and 41, Jupiter. There were lots of great suggestions and we’ve picked out our favourite four for a public vote. So, take a look below and select your favourite. Voting closes on Tuesday morning.Read More
It’s time for what has now become a yearly tradition for us on the OAE blog, where we turn to you, our readers to help us name a concert in our season. Last time you came up with ‘Fingers, Felix and the Freeshooter’ (for a concert of Weber, Mozart and Mendelssohn that started our current season), and the previous year the winning title was ‘Papa Haydn and Sister Act’, for a concert featuring music by Haydn and the Labéque Sisters on piano.
So, you did us proud in past seasons and now, as we plan our 2012-2013 Season (yes, we work a LONG time ahead!), we are turning to you again for some help. The concert is below – can you think of a catchy title for it? Leave your ideas below as comments and we’ll pick our favourite. For those of you new to this, each of our London concerts has a title, intended to give potential ticket-buyers a flavour of the evening. They can be straightforward, witty or even irreverent.
Suggestions must be in by next Friday 4 November. And in case you’re really keen, the season goes on sale in February next year.
Mozart Symphony No.39
Mozart Symphony No.40
Mozart Symphony No.41, Jupiter
(i.e. Mozart’s last three symphonies)Read More
Il desio di vendetta Lucio Silla
Sposa Cara La finta semplice
Quercia annosa Il sogno di Scipione
Dentro il mio petto La finta giardiniera
Se vicendo Il rè pastore
Il padre Adorato Idomeneo
Sol può dir Il rè pastore
Vedrommi intorno Idomeneo
Misero! o sogno, K431
Il mio tesoro Don Giovanni
Fuor del Mar Idomeneo
Un’aura amorosa Cosi fan tutte
In qual fiero contrasto Cosi fan tutte
Se all’imperio La Clemenza di Tito
Jonathan Cohen conductor
Jeremy Ovenden tenor
Orchestra of the Age of Enlightenment
Total Running Time: 67.31
Signum Classics SIGCD251
Pianist and scholar Robert Levin appeared with us last night in two concerts (a 7pm and a Night Shift) and today has been on a bit of a media blitz, appearing on Radio 4’s Today programme and the World Service too. There’s also something in the Evening Standard.
The reason? Well Robert has been talking about two things. Last night he performed Mozart’s Piano Concerto No.23 with us, and Robert’s research strongly points to it being written for a pupil of his, Barbara Ployer, something previously unknown. One of the reasons he suspects this is that he found a coda written for the piece, which was intended for Barbara, and this coda hasn’t been performed for at least 200 years. But alongside this, Robert has been talking about how we perform Mozart these days. Modern performance very much sticks to what is written on the page, with no deviation. But Robert argues that in Mozart’s day there would have been a lot of free rein given to the soloist, to embellish the basic musical line, improvise around it etc. In fact, Robert, argues that his hero, Duke Ellington, is really like a modern-day Mozart.
Robert is performing the Concerto with us again on 4 October, as part of our very first The Works event. In the event he’ll be joined by presenter Suzy Klein, and the first half of the concert will be given over to a ‘guided tour’ of the concerto. More on the event in this previous blog post.
Here’s Robert talking about the concerto, plus links to today’s coverage.
Robert on the Today Programme
Evening Standard CoverageRead More
Many of you will know of, or will have been to, one of our Night Shift events. We introduced these late-night concerts about 5 years ago, for a number of reasons – the prime one being that we wanted to appeal to a different audience to that which comes along at 7pm. But also at the OAE we like experimenting and trying new things – and the idea of a late-night informal concert simply appealed to us. As evidenced by the fact we’re still doing them 5 years later, the series has been a great success, but a year ago we started thinking ‘what next’?
When I say ‘what next’ I mean in terms of types of concert. We really like the idea of varying the concert format, so that we have a range of things that appeal to different people. We already have our ‘standard’ 7pm concerts, the Night Shift and also our amazingly popular Tots events. So we started thinking about other ideas. A shortlist was drawn up, we debated it at a board meeting, and we decided to go for something which at the time was called an ‘explorer’ concert.
The idea from this is evolved from a couple of one-off events we’ve had with conductors Iván Fischer and Marin Alsop in past seasons, where they have deconstructed a piece of music before we give a performance of it. But the concept also evolved from what some Night Shift focus groups had told us. In those groups we actually had some attenders who were somewhat older than the typical Night Shift audience. Like others in the focus groups they weren’t actually that keen on traditional classical concerts, but they came because they liked the event and its informality. However some of them did say that it was a little too late for them and that they felt they didn’t quite fit in with the studenty audience. So this made us think…we could develop something almost midway between a 7pm concert and a Night Shift. Something informal, welcoming and approachable, but perhaps a bit more structured than a Night Shift, but incorporating lots of ideas from it nonetheless.
So, after an office-wide brainstorm to find a name The Works was born. The concept is not rocket science. The heart of it is a concert at 8pm, that lasts around 80 minutes, with no interval. In the first part of the concert the presenter and conductor or soloist will give the audience a ‘guided tour’ of the featured piece of music, movement by movement. Then there’s time for a Q+A and then a full performance of it. Drinks will be allowed in and we hope some of the informal atmosphere of the Night Shift will ensue. Before the concert, from 7pm we have some jazz in the bar as a way to start people’s evening off and then after the concert our Education Director, Cherry, will lead a ‘speed-date-the-OAE’ session, which is basically a flash way of enabling the audience to meet the Orchestra (all will be explained on the night)!
Our first one is coming up soon on 4 October, for which we’re fortunate to be joined by pianist Robert Levin, who is such an amazing speaker. He’ll be playing and introducing Mozart’s Piano Concerto No.23 – a […]Read More
When I tell people that I work for an Orchestra and occasionally get to accompany them on tour, they often get very excited and say, ‘ooh isn’t that glamorous’… Erm… well in a word, not always! (editor – that’s two words!) This past weekend I was lucky enough to accompany the OAE on one of their 4 trips out to Salzburg to play in the festival’s production of The Marriage of Figaro. I definitely drew the short straw with this one – one of those blink and you’ll miss it 24 hour trips, but I did get to enjoy some stunning opera in one of the worlds classiest and distinguished music festivals so it can’t have been all bad. Do the negatives cancel out the highlight? What do you think to this chain of events?? The glamour scale… Saturday morning aka usually my weekend. Alarm fails to go off so I have approximately 5 minutes accompanied by sheer panic to get dressed and leave the house (minus). Arrive at Heathrow Terminal 1, along with the rest of the UK as it’s the first day of the school summer holidays. Spend ages queuing to check in, then helping to sneak OAE players to the front of the queue and the bag drop so we don’t miss our plane (minus). Finally, through security and time for a coffee with our orchestra manager, Philippa, Press Manager Katy and the 2 Tony wind players (plus). Onto the plane, jam my bag in the overhead locker and settle in to my seat, with my free copy of the Daily Mail…(editor – double minus) I’m sandwiched in the middle of a 3. Surrounded by screaming children (minus). Offered a skanky egg sandwich (minus).Read More
Next Tuesday 5 July, we’ll be coming straight from Glyndebourne’s Opera House to the Corn Exchange in King’s Lynn to perform in an hour-long family concert, playing highlights from one of Mozart’s most famous pieces, Don Giovanni. OAE musicians will be joined by over 150 children from local schools who’ll be performing live on stage.
We caught up with OAE Education Director Cherry Forbes and composer James Redwood, who’ll both be presenting the concert, to ask them what the audience can expect to see, including a dastardly villain and maybe even a few ghosts!
Tickets are just £5 for adults and £2 for children and can be booked through the King’s Lynn Corn Exchange on 01553 764864 or online here.
For more information on this concert and our other Education projects, why not have a look at our website here?Read More
Well today is the first day of our latest project with our Principal Artist Sir Simon Rattle (pictured conducting us a few years ago in Budapest). Of course everyone is *quite* excited about it. We’re touring a concert of Mozart and Haydn, which also features pianists Katia & Marielle Labèque playing the Mozart Concerto for two pianos.
This afternoon and evening sees our first rehearsal with Sir Simon (he’s coming to us straight from a project with the City of Birmingham Symphony Orchestra), with further rehearsals Wednesday and Thursday (we have a rehearsal of Rinaldo for Glyndebourne on the Tuesday). That evening we’re off to Brussels – staying the night there and onto Luxembourg on Friday. We give a concert in Luxembourg Friday night before travelling onto Paris for a concert there on Saturday. We’ve also just found out that we’re going head to head with the London Symphony Orchestra that night – we’re at the Théâtre des Champs-Élysées, while they are at the Salle Pleyel – and we’re even staying at the same hotel!
Sunday morning we travel back to London before flying to Dublin for a concert at the National Concert Hall on Monday night. Then it’s an early flight back Tuesday to London and the final concert of the tour at the Royal Festival Hall.
It’s going to be an exciting week and we’re going to try and bring you as much news as possible along the way. Make sure you also follow us on Twitter and Facebook to hear the latest.Read More
A quick roundup of reviews from our recent concerts of Mozart, Beethoven and Schubert, with conductor Roy Goodman and pianist Artur Pizarro:
What did you think?Read More
This lunch-hour three of us from the office decided to do something a little different and take in some contemporary art. We headed down to the Gagosian gallery in Kings Cross to take a look at K.364, the latest exhibition by artist Douglas Gordon. The centrepiece of the exhibition is a film, shown on two huge screens in a pitch black and slightly unnervingly disorientating space. The film follows two Israeli musicians of Polish descent as they travel from Berlin to Poland and culminates with their performance (with the Amadeus Chamber Orchestra) of Mozart’s K.364 Sinfonia Concertante, which we have recently performed on tour and which comes to the Queen Elizabeth Hall on Saturday. While we were there the performance part of the film was playing and it was a fascinating experience, feeling as if you’re really inside the performance, with the sound surrounding and enveloping you and the film being shown both on the huge screens as well as being reflected in full length mirrors. Definitely worth a visit, though the exhibition closes this Saturday.
You can view a trailer and find out more at the gallery’s website.Read More
Hi everyone. This is my very first spangly blog I’ve written all on my own. I’ve been included on a few but never attempted to write more than 50 words so here goes…
My role in the office is Education Projects Manager which means I help run our ever expanding education programme here at the OAE, along with Cherry Forbes (Education Director). Our programme includes loads of creative, instrumental, opera and other various projects designed for tots right through to residents in nursing homes, so the list could go on and on. I wanted to take a few minutes from my day to tell you about a special project we have coming up for GCSE and A-Level students. Maybe then I’ll get a taste for this blogging thing and tell you about everything! You can have that to look forward to….
Mozart is our inspiration in the education department during 2010-11 and in particular we’re looking at his 40th symphony for our school concerts this spring (incidentally you can contact me to enquire about primary school spaces for our school concerts), a music and maths composition project next term and last but not least, our secondary school GCSE and A-Level study day with the OAE on 4 February at Kings Place.
It’s really exciting putting on an event like this where it fits nicely into the music curriculum and you feel it could really benefit everyone, from the students and the school teachers right through to the examiners. All music students have to study Mozart as part of their music syllabus so why not make it more fun and informative for them by chucking them a full live orchestra?Read More
New Years Eve and New Years Day saw us performing at our King Place Headquarters to packed halls for an all-Mozart programme. The 1 Jan performance was broadcast live by BBC radio 3 and kicked off their Mozart marathon – you can still listen to it here and here (two separate parts) for another 2 days.
The reviews are now in – links below, and our Orchestra Manager Philippa snapped the Orchestra in rehearsal.
Independent (surely the wrong star rating?!)
Independent on SundayRead More
Christmas and New Year just wouldn’t be the same with our favourite orchestra, would it? Well, we’re pleased to say that whether you’re in London or not, you’ll be able to enjoy our music making in the coming couple of weeks. First off there’s a chance on Christmas Eve to hear us on BBC2, playing in Glyndebourne’s 2010 production of Don Giovanni. Vladimir Jurowski, one of our Principal Artists, conducts. The performance goes out at 2.45 on 24th December, and you can find out more about the production over on the Glyndebourne website.
Next up there are two opportunities to hear us at Kings Place giving an all Mozart programme on 31 Dec (at 6pm) and 1 Jan (at 1pm). The 1 January concert will also be broadcast live on BBC Radio 3, kicking off their Genius of Mozart Season.
We hope you can join us in person or via TV or radio this festive season!
(with thanks to Michael Windsor-Ungureanu for the image)Read More
A while back we asked you for suggestions for our opening concert of our 2011-2012 concert of season at Southbank Centre. Now, we have to admit we weren’t really overwhelmed with entries, certainly not as many as last year, but despite this we did get a few good suggestions (after all, quality is better than quantity, right?). We’re just finalising everything for the new season now ahead of a press launch in January and thought we’d let you choose which title we go with. To jog your memories the concert is:
Weber Overture Der Freischutz
Mozart Piano Concerto No.23
Mendelssohn Symphony No.3, Scottish
Robert Levin piano
Voting will close at 4pm on Thursday 16 DecemberRead More
Lots of positive comments after our performance on Wednesday, what did you think of the concert?Read More