Tomorrow night’s concert at Kings Place is a pretty unusual affair. Not only is it a joint concert with the London Sinfonietta, but the second half in particular sees four very unusual things occur. First, we merge with the London Sinfonietta, to create a new ensemble made up of players from both orchestras. Second, together, we play a brand new comission by Richard Causton, Dark Processional (in the spirit of the REMIX festival, it is based on music by Pergolesi). Third, in the second half of the concert, OAE players will use (fairly) modern instruments and play at modern picth. Last, but not least, we’re going to be playing Stravinsky (only the second time we have ever done so). The piece is Pulcinella, and it is the climax of the REMIX festival here. As you may know, it’s based on pieces by Pergolesi and other composers of his time – and we play these antecedents in the first half of the concert. So, all in all a pretty special event – and one thats not very likely to be repeated for a while!
Yesterday we caught up with OAE players who were at Kings Place for that evening’s concert and asked them about the experience of working with the London Sinfonietta and playing the music of Stravinsky:Read More
Yesterday morning was the culmination of what seems like months if not years of work for our concert on Saturday night. A little more complicated than usual, this concert is a mixture of OAE and London Sinfonietta players (our very distant relations who we share an office with). As part of having our headquarters at Kings Place, we put on several concerts here throughout the year and this week is our REMIX festival, mixing all sorts of old and new including mixing up the two orchestras. This all started many moons ago when we decided to have an orchestra made up of players from both orchestras. After working out how to split the booking between the two orchestras, we then had to find OAE players who were happy to dust off their modern instruments to play some 20th century music – Stravinsky’s Pulcinella and a new commission by Richard Causton. Fixing a project with just one orchestra involved presents enough challenges, but dealing with two orchestras whose playing spheres never overlap presented quite a few more! Eventually we managed a final orchestra list, a final seating plan, the right music (we were helpfully sent the whole of the Pulcinella ballet parts instead of just the suite to start with!) and a rehearsal plan.
Sitting and listening to the rehearsal yesterday, it was really interesting to see a rare sight, OAE and LS players sitting side by side, and even stranger to see OAE players playing modern instruments. The rarest thing, however, was when the conductor, Nick Collon, announced that Richard Causton would be coming to the afternoon rehearsal – it’s not very often that the composer of the music OAE is playing turns up to a rehearsal!
Megan Russell, Projects Manager
Find out more about REMIX by downloding the brochure here.