As you may be aware, Rinaldo opened at Glyndebourne on Saturday and that means that the nation’s opera critics were out in force. Here’s what they had to say:Read More
The DVD of the 2011 Glydebourne production of Handel’s opera, featuring the OAE conducted by Ottavio Dantone.Read More
It’s time for our yearly feature where we ask OAE staff and musicians what their top moments of the past year were, so here we go – and feel free to add your top moments to the comments!
“As always with OAE events when you think back over the year it’s SO difficult to pick a clear winner – it could be Matthew Truscott’s gruesome description of how gut strings are made, which had hundreds of children squirming on the edge of their seats in our school’s concert in King’s Lynn; – it could be the incredibly warm reception we had in Keswick where the audience are really hungry for live concerts; but I think in the end it’s a tie between playing for the first time under the baton of Adam Fischer in an exciting and spontaneous Fidelio (the Prisoner’s Chorus in particular was incredibly moving), and the Haydn symphonies with Sir Simon Rattle at the Royal Festival Hall. As always with Rattle it involved digging deep into ourselves and the music, and for me it involved a personal triumph: over-coming the vertigo that came with being, unusually for me, right on the edge of our highly raised platform and managing not to throw myself off the stage.”
Cecelia Bruggemeyer, Double Bass
“This may not seem that positive, but then perhaps it is… my top moment of 2011 was landing at Heathrow airport at 2.15pm on Sunday 25th September. That seems like a pretty precise moment, but it was the end of the busiest summer we have ever known at OAE. I’m in charge of all the orchestra’s touring and it was so good to know that since June we had managed to successfully get an orchestra of up to 90 people around Europe and put on concerts in Luxembourg, Paris, Dublin, London, Glyndebourne, Salzburg, Glyndebourne, Salzburg, Glyndebourne, Ingolstadt, Salzburg, Glyndebourne, Salzburg, the Proms, Edinburgh, Warsaw, Eisenstadt, Warsaw again and Bucharest!”
Megan Russell, Projects Manager
“Well, 2011 has been a pretty eventful year so it’s REALLY hard to pick my top moment- sitting (almost) next to Madonna in our 21 June concert with the Labeque sisters is almost up there, but I think the best moment was sitting in the Village Underground on the 24 June- listening to my favourite singer, Elin Manahan Thomas singing some beautiful arias at The Night Shift, with an gin and tonic. Perfect.”
Natasha Stehr. Marketing and Press Officer
“Difficult to choose from three instances of being with the Orchestra in towns or cities where three leading composers were born: Handel in Halle in Germany; Mozart in Salzburg in Austria; or Chopin at Zelazowa Wola near Warsaw. But I think I’ll go for Chopin as I visited his birthplace on a beautiful summer day in late August and had a good look round the manor house, including the very room where he was born, as well as the church in the next village where he was christened. I then went back to Warsaw to hear the OAE performing both Chopin Piano Concertos with Yulianna Avdeeva as soloist. Altogether a special and privileged experience.”
Stephen Carpenter, Chief Executive
“My top moment of 2011 was watching Maggie, Matt and Robin play our very first Pub Night Shift to a very crowded and sweaty full house at […]Read More
On 6 October, OAE and Glyndebourne’s education departments joined music students from Blatchington Mill School and Varndean College to perform extracts from Handel’s Rinaldo.Read More
Our run of Rinaldo at Glyndebourne is now drawing to a close, with just three performances left (tonight, Saturday 20th and Monday 22nd). If you’re lucky though you might just get a return, or be able to get a seat for the semi-staged performance of it at the BBC proms at the Royal Albert Hall next Thursday. Glyndebourne have a put together a series of podcasts for their operas this summer, and you can listen to them, including one on Rinaldo here.
The production has split opinion, to say the least… If you’ve seen it you can add your pennies-worth over on the Glyndebourne website here.Read More
Here are some pictures of the brand new production of Handel’s Rinaldo at Glyndebourne which we’re appearing in. Director Robert Carson has gone for quite a radical take on the opera, imagining it as a schoolboy’s day-dream. Find out what the critics made of it in our reviews roundup below. Rinaldo plays at Glyndebourne until 22 August. All pictures are © Bill CooperRead More
One of the things I most love about playing with the Orchestra of the Age of Enlightenment (OAE) is the variety- the spice of a freelance musician’s life.
I’m currently halfway between Kings Lynn and Glyndebourne (somewhere in Essex): halfway between schools and family concerts of Don Giovanni and the second night of Rinaldo: halfway between an audience of hundreds who had never been in the same room as an opera singer before, and an audience famously passionate about opera.
Just to put your minds at rest, I’m not actually driving as I type.
Forget the vuvuzelas – for me there’s nothing like the sound of 300 children buzzing with anticipation and excitement before the start of a schools’ concert. The children in Kings Lynn were there as composers, performers, and audience. You ain’t heard nothing till you hear the Corn Exchange full of children singing Fin ch’han dal vino. They loved it so much they just couldn’t stand still as they sang it.
They were guided through the concert by the fantastic James Redwood and OAE Education Director Cherry Forbes as they heard about the dastardly Don Giovanni, listened to the OAE play Mozart, performed their new songs and of course heard Real Live Opera Singers from Glyndebourne…the ones that don’t need microphones!Read More
The second opera which we’re performing in at Glyndebourne this year, Rinaldo, opened on Saturday and the reviews are now in. Here’s what the critics had to say:
The Arts Desk
Well, after five cities, four concerts, three trains, two planes and one coach our tour with Sir Simon Rattle is over. Everything culminated in a sold-out concert at the Royal Festival Hall last night (a concert that marked 25 years of the OAE!) , and not only was it sold out but we had a few added complications, not least of which being a last-minute special guest – none other than Madonna!
Today we have a slightly tired team in the office (and most probably a slightly tired Orchestra too!) but we’ve not long to catch our breath – the Orchestra is rehearsing today and tomorrow for the Glyndebourne production of Rinaldo and Friday sees our Night Shift at Village Underground.
In the coming days look out for special reports, pictures and footage from the tour, plus a full report on last night’s action-packed evening at the Royal Festival Hall.
Oh and if you want to get in early next year’s concert with Sir Simon is already on sale…
William Norris, Communications DirectorRead More
The OAE is currently in the middle of a run of Don Giovanni at Glyndebourne, the first of two operas we are performing there this season (the other being Rinaldo). The production of Don Giovanni premiered last summer when it was conducted by our Principal Artist and Glyndebourne Music Director Vladimir Jurowski. This season Robin Ticciati has taken over conducting duties, but we thought you might still be interested in this video from Glyndebourne in which Vladimir talks about the opera and which also includes some exclusive rehearsal footage.