Henry Purcell Dido & Aeneas
An opera in three acts
with Sarah Connolly, Gerald Finley, Lucy Crowe, Patricia Bardon, William Purefoy, Sarah Tynan, John Mark Ainsley, Carys Lane and Rebecca Outram.
Orchestra of the Age of Enlightenment
Choir of the Enlightenment
Elizabeth Kenny & Steven Devine music directors
Total Playing Time: 69.49
Here’s a little video diary from our trip to Paris back in January, when we took a supersized OAE there for a concert of Wagner, Liszt and Mahler with conductor Vladimir Jurowski and mezzo soprano Sarah Connolly. We armed Communications Director William Norris with a video camera, and here are the results:
We’ve had a bit of a backlog of videos here, so these audience vox pops have been somewhat delayed. But they’re here now. After our Symphonic Enlightenment programme of Wagner, Mahler and Liszt at the Royal Festival Hall back on 21 January we asked audience members what they had made of the performance (with conductor Vladimir Jurowski and soloist Sarah Connolly). Here’s what they said:Read More
Projects Manager Megan Russell got snapping when we were in Paris with Vladimir Jurowski and our Symphonic Enlightenment programme a couple of weeks ago:Read More
Tonight we play our Symphonic Enlightenment programme at the Royal Festival Hall – a late romantic programme of Wagner, Mahler and Liszt with 90 players on stage. For us, a huge undertaking. Parts of the programme had their first airing on Wednesday at our (Sold out) Night Shift, but tonight will be the first time that Sarah Connolly joins us to sing Mahler’s Lieder eines fahrenden Gesellen (well, not quite first, we have obviously rehearsed it!). We caught up with her earlier this week to ask her about the piece:
Mezzo-soprano Sarah Connolly who sings with us in London and Paris next week, talks to journalist Andrew Mellor about her work with later romantic repertoire such as Mahler and Wagner:
You seem to be moving in a new direction with all this Wagner and Mahler…
Yes – thank goodness I had a lot of superb training at Glyndebourne, which prepared me very well. I didn’t realise I had that dramatic sound in my voice until Vladimir Jurowski offered me a concert performance of Tristan a while ago. He seemed to think I could do it and I appreciated that leap of faith. I had sung Das Lied von der Erde with the Concertgebouw and many other orchestral lieder by Mahler so despite performing Handel’s Giulio Cesare at the same time, Brangäne’s music felt very natural. I will confess though that her extreme outbursts initially made me want to apologize to the rest of the room! I felt slightly uncomfortable with Wagnerian hysteria.
You seemed very suited to the character at your Prom performance with Simon Rattle and the Orchestra of the Age of Enlightenment this summer…
Actually Simon came to that rehearsal of Tristan with the LPO and Vladimir and that’s how the Prom came about. Simon was offering different ways of doing things, giving me more space than I’d been used to. He’s a wonderful accompanist; he invites the orchestra to accompany and never dominates, but at the same time he is also able to take the lead.
In what’s now become an annual feature we asked office staff here at the OAE which concerts in the upcoming season they are particularly looking forward to – and here’s what they said. Oh, and you can hear more of these from the horses mouths (so to speak) in our new Podcast.
“I’m very excited to hear the Mozart programme on 24 Nov. It has an amazing cast of singers and I am interested to see how the new narration that was written especially for this performance works.”
Isabelle Tawil, Development Manager, Individual Giving
“I can’t quite decide between these 2 which will be my top picks of the Season. I was immediately drawn to the Vladimir Jurowski concert (21 Jan) because OAE in this later repertoire is such an exciting occasion – it only tends to happen once or twice a year so is definitely one to savour. We already know that the orchestra sound fantastic and different playing Wagner from the Tristan project this Summer, and as I’ve never heard the OAE play Mahler OR Liszt before, that is something new to look forward to. I had super fun playing Les Preludes about 12 years ago and I can still remember all the tunes!
Mozart’s Die Entfuhrung will be a first for me also and I’ve spent so much time working on the details for it over the last few months I can’t wait to hear it all come together. The opportunity to hear the newly commission English narration by Simon Butteriss (which is currently sitting on my desk!) will I hope give it an exciting new dimension.”
Ceri Jones, Projects Director
“Think it’s got to be the 21 January 2010 concert with the legendary Vladimir Jurowski- I can’t wait to see what the OAE do with a bit of Mahler and Liszt! I also love Sarah Connolly’s voice after hearing her in our recent prom with Sir Simon Rattle :-)”
Natasha Stehr, Marketing and Press Officer
“I’m really looking forward to the Grand Tour of Italy programme on 20 October. Whilst I love the energy of the OAE on a massive scale, I have a soft spot for these smaller self-direct programmes. Being in the audience for these programmes is like being a member of the ensemble, they have a feeling of such intimacy that it feels like you are on the stage with them. As a cellist myself, I am also biased towards this programme as there is a cello concertos in it!”
Megan Russell, Projects Officer
View and book the whole 2010-2011 Southbank Season here