We’re very excited to announce that this year we will be Associate Artists of the Spitalfields Music Summer Festival, performing in a range of concerts, family and education events.Read More
You may have read about our adventures back in March where we took a 20-piece OAE orchestra around the country to deliver workshops and concerts under the banner Anthem for a Child. (If not, you are missing out: read about the cake, tandems, 5000 children, concerts and kettle bells here). The pinnacle of each concert was the performance of James Redwood’s ‘My Cry’ where the whole audience, consisting of local school children, sang along with the Orchestra. Filmmaker Joseph Bicknell filmed some of the work we did on our journey and has put together this amazing video which beautifully captures the spirit of the tour. This video features ‘My Cry’ recorded at our final schools concert in York. For me, this was one of the most beautiful moments of the tour as the children from York primary schools Dringhouses, Bootham, Heworth and Dunnington sang with such gusto the words echoed round the Jack Lyons concert hall long after the final note.
But don’t take my word for it… have a watch.
We are still doing plenty of work as part of the Anthem for a Child project, with lots of preparation going into our summer term performances. As well as a host of schools concerts for local London primary school pupils, we are busy preparing for a concert in June as part of the Spitalfields Festival. This concert will involve young performers from across the country who will join the OAE and ‘My Cry’ will be performed – I can’t wait to hear the final lines ‘I am here’ ringing out across the Old Market!
Ellie Cowan, OAE Education Officer
Here’s a little audio-visual recap of The Night Shift which we held at Village Underground a few weeks back. Project Director Ceri’s account of how her Night Shift day went is below, but in this post we have a little video with footage from the event plus audience reaction – make sure you watch it right to the end…
Also a selection of pics – you can view the full set over on The Night Shift’s Facebook page or instead on Flickr, if you prefer.
A day in the life of The Night Shift from Ceri’s perspective:
It’s 9.30am on Friday 24th June, It’s been a looooong week: Monday Dublin, Tuesday Royal Festival Hall, Wednesday and Thursday catching up and meetings – and that’s just for me! I assume it’s been worse for the players who also had Glyndebourne rehearsals on the intervening days… Anyway, I should be absolutely exhausted and dreading the prospect of working until at least 12am this evening, but I’m not – this is what we sometimes call “The Night Shift effect”. (editor – different to the ‘Night Shift hangover…)
I of course love working at all OAE concerts, but for me the Night Shift is something quite special, even if they are at least 10 times harder work – especially in a non-traditional concert venue such as Village Underground (no fixed stage, lights, music stands, seats, air-con, changing rooms – you get the picture). So much of Friday felt like venturing into the unknown, a new venue, new acoustics, not sure we’d all fit on stage, not sure if the musicians would be able to cope with the lack of dressing space, chilling areas (aka green room) etc.
Here is a timetable of my day on Friday and how I made it to 12am still full of beans.
9.30 Arrive at office after early morning gym session – going to need those endorphins to get me thorough today I can tell you.
10.00 Quick staff meeting just to make sure everyone is up to speed with all the arrangements and aware of their responsibilities tonight.
10.30 Pop down to Kings Place Music Foundation to pick up the lit stands (i.e.music stands with lights attached – for the darker ambience we use for The Night Shift) we’re borrowing for this eveningRead More