Here’s a little video diary from our trip to Paris back in January, when we took a supersized OAE there for a concert of Wagner, Liszt and Mahler with conductor Vladimir Jurowski and mezzo soprano Sarah Connolly. We armed Communications Director William Norris with a video camera, and here are the results:
We’ve had a bit of a backlog of videos here, so these audience vox pops have been somewhat delayed. But they’re here now. After our Symphonic Enlightenment programme of Wagner, Mahler and Liszt at the Royal Festival Hall back on 21 January we asked audience members what they had made of the performance (with conductor Vladimir Jurowski and soloist Sarah Connolly). Here’s what they said:Read More
Back in January before our Mahler/Wagner/Liszt Symphonic Enlightenment concert at the RFH, Robert Philip gave a pre-concert talk discussing what impact the onset of the ‘recording era’ in the early 20th century had in helping us to understand what Mahler’s sound-world might have been like. Take a listen:
Pre-concert talk: Robert Philip – 21 January 2011 by OAERead More
Projects Manager Megan Russell got snapping when we were in Paris with Vladimir Jurowski and our Symphonic Enlightenment programme a couple of weeks ago:Read More
Regular readers of this blog or our Facebook Page will know we were due to interview Vladimir Jurowski back in December. Well, that didn’t happen as he wasn’t too well, and about to embark on a big tour. We did however catch up with him last week, when he was with us conducting the Symphonic Enlightenment programme. We’d like to say a big thank you to him for giving up some of his hectic schedule to speak to us – particularly given that a) He still wasn’t 100% well, as evidenced by the tissue clutched in his hand and b) his schedule really is super-packed – he didn’t even have any time off over Christmas!Read More
More reviews from Friday’s concert at the Royal Festival Hall. Plus you can listen to the concert online for a further 6 days.
We’re back from Paris and a second performance of our Symphonic Enlightenment programme of Wagner, Mahler and Liszt. First reviews from Friday’s performance are now in too – mainly from bloggers and online. Hopefully the Nationals will follow tomorrow. Thanks so much for the comments posted on our blog, You Tube video and also for the many Tweets we’re had as well. It’s always great to get such instant feedback!
Radio 3 recorded Friday’s concert at the Royal Festival Hall and you can listen to it at 7pm tonight, or online here for 7 days after.
Also coming up on the blog – a video interview with conductor Vladimir Jurowski, a round up of Night Shift news, pictures from Paris and a Parisien tour diary. Plus a parting shot from our intern Ingrid.
Tonight we play our Symphonic Enlightenment programme at the Royal Festival Hall – a late romantic programme of Wagner, Mahler and Liszt with 90 players on stage. For us, a huge undertaking. Parts of the programme had their first airing on Wednesday at our (Sold out) Night Shift, but tonight will be the first time that Sarah Connolly joins us to sing Mahler’s Lieder eines fahrenden Gesellen (well, not quite first, we have obviously rehearsed it!). We caught up with her earlier this week to ask her about the piece:
Vladimir Jurowski, one of our three Principal Artists, conducts three concerts with us this week, two in London and one in Paris. Ahead of these we caught up with him for one of our Speed Interviews:
What/when was your big breakthrough?
What do you fear the most?
To act against my own conscience.
Which mobile number do you call the most?
What – or where – is perfection?
Perfection is an ideal. As such it belongs into the reign of dreams.
Who is your favourite hero from fiction (book/comic/film/opera) – and why?
Snufkin (Snusmumriken) from the ‘Moomins’-series by Tove Jansson – for he is an idealist, an individualist, always calm, good-humoured, a music-lover and an eternal traveller.
In our latest video ahead of our concerts of Mahler, Wagner and Liszt this week we speak to our Principal Flute, Lis Beznosiuk. She talks about which flutes she is using for the concert, a task made difficult by the quite wide period of time (and hence flute-evolution) that the music spans, and also about why she loves Mahler so much.Read More
Mezzo-soprano Sarah Connolly who sings with us in London and Paris next week, talks to journalist Andrew Mellor about her work with later romantic repertoire such as Mahler and Wagner:
You seem to be moving in a new direction with all this Wagner and Mahler…
Yes – thank goodness I had a lot of superb training at Glyndebourne, which prepared me very well. I didn’t realise I had that dramatic sound in my voice until Vladimir Jurowski offered me a concert performance of Tristan a while ago. He seemed to think I could do it and I appreciated that leap of faith. I had sung Das Lied von der Erde with the Concertgebouw and many other orchestral lieder by Mahler so despite performing Handel’s Giulio Cesare at the same time, Brangäne’s music felt very natural. I will confess though that her extreme outbursts initially made me want to apologize to the rest of the room! I felt slightly uncomfortable with Wagnerian hysteria.
You seemed very suited to the character at your Prom performance with Simon Rattle and the Orchestra of the Age of Enlightenment this summer…
Actually Simon came to that rehearsal of Tristan with the LPO and Vladimir and that’s how the Prom came about. Simon was offering different ways of doing things, giving me more space than I’d been used to. He’s a wonderful accompanist; he invites the orchestra to accompany and never dominates, but at the same time he is also able to take the lead.
Next week at our Symphonic Enlightenment concert at the Royal Festival Hall, the horns of the OAE take centre stage. Martin Lawrence, from our Horn Section, here explains the difference between Natural and Valve horns, talks about how they are used in the music of Liszt and Wagner and how Mahler wants the best of both worlds…Read More
In two weeks time we’re getting out of our comfort zone and playing some HUGE (for us) pieces by Mahler, Liszt and Wagner with our Principal Artist Vladimir Jurowski. On the programme are two pieces by Mahler, his Totenfeier, and also the song cycle Lieder eines fahrenden Gesellen (with soloist Sarah Connolly). Ahead of the concerts we caught up with some OAE players and asked them what Mahler means to them. Opinion was mixed…
You can catch the concert on 21 January at the Royal Festival Hall, 22 January at the Théatre de Champs Elysées in Paris, and two pieces feature in our Night Shift on 19 January at the Queen Elizabeth Hall.Read More
Next month, our Principal Artist Vladimir Jurowski returns to us to conduct a boundary pushing (for a period instrument orchestra) Symphonic Enlightenment programme of Mahler, Wagner and Liszt. There’s a performance in the Royal Festival Hall on 21 Jan, a Night Shift at the Queen Elizabeth Hall on 19 Jan, and should you live in Paris, a performance there on 22 Jan.
On Monday, our intrepid Digital Content Officer, Zen, will be catching up with Vladimir to interview him in advance of his concerts with us. We want to know your burning questions to put to him, so add them here as comments or over on our Facebook page. We promise to ask a selection of them, and we’ll get the video up before Christmas. You might want to ask about the programme, his career, why he works with the OAE or even why he likes the Moomins…(that will be explained in a forthcoming Speed Interview actually).
The full line up for concerts on 21 and 22 Jan is below, with the pieces included in The Night Shift indicated by a seasonal snow flake (*). (ok, it’s an asterisk…)
Wagner Prelude to Parsifal
Mahler Lieder eines fahrenden Gesellen (Songs of a wayfarer), with soloist Sarah Connolly.
Liszt Les Preludes*