The Serenade in C for a string trio consists of seven mini movements. Researchers now believe that the score, although it is not in Mozart’s handwriting, is a later copy of a piece written by the young composer in the late 1760s. Its main significance is that it gives us a rare insight to Mozart’s early writing for chamber ensembles, much of which has been lost.
Our investigators Henry Tong (violin) and Max Mandel (viola) take us behind the curtain, placing the recent discovery alongside other trios by Mozart’s contemporaries and successors in tonight’s gig.