Vivaldi and Pergolesi: The Female Presence
Friday 8 November 2019
We took a look into the background of Vivaldi's Gloria and Pergolesi's Stabat Mater Ahead of our Vivaldi and Pergolesi: Sacred Baroque concert on Monday 11 November.
Further Reading: Cecelia Bruggemeyer
Monday 11 November 2019
Here’s what our double bass Cecelia Bruggemeyer wrote about our Vivaldi and Pergolesi: Sacred Baroque concert on Monday 11 November 2019 at Southbank Centre's Queen Elizabeth Hall.
Speed Interview: Carolyn Sampson
Wednesday 2 October 2019
We put Carolyn Sampson through our speed interview ahead of our performance of Mendelssohn's Elijah on Thursday 3 October 2019.
A special performance
Friday 10 July 2020
With thanks to Age UK Camden for inviting us to Henderson Court for our first live performance with an audience since lockdown.
What was Mahler's cost of greatness?
Wednesday 11 March 2020
How did Mahler suffer for his art?
Behind the OAE Player
Thursday 29 October 2020
As we introduce you to all the new content available on OAE Player, we wanted to give you a unique glimpse into the filming process.
The Value of Digital Art: creating a Utopian concert hall
Thursday 8 October 2020
Free access to online performances—via streaming, YouTube, social apps, and personal websites—means making a living through digital art is near impossible.
The Value of Digital Art is in the ability to reach an international audience
Tuesday 13 October 2020
Opera is a great passion of mine. Baroque music comes a close second, but living in Vietnam, it is a difficult passion.
The Work of Art in the Age of Digital Reproduction: How Artistic Value Has Always Prevailed
Friday 16 October 2020
‘The genuineness of a thing is the quintessence of everything about it since its creation that can be handed down, from its material duration to the historical witness that it bears.’
In a world gone mad, can great music help us see the light?
Friday 23 October 2020
Announcing our 2020-21 Digital Season: The Edge of Reason
